Our Films Are Getting Some Amazing Recognition!

‘Finn: Kids Don’t Belong in Factories’ has been selected as a finalist at the London International Awards for Cinematography for Great Guns in the TV/Cinema/Online Film – Production & Post-Production category.

The LIA Awards are an international awards programme that recognise excellence in advertising. They have been running since 1986 and award creativity and the power of ideas in all forms of advertising.

Not to be outdone, ‘The Epic Thread’ has also earned a shortlist spot at the Ciclope Festival.

Ciclope is an international festival of craft in the moving image and takes place this week in Berlin. The event focuses on the execution of the ideas and awards in categories around the making of the film.

‘The Epic Thread has earned The Mill a finalist spot in the 2D Animation category.

Well done and thank you to all of the companies who have worked on these two magnificent film.

Advertisements

Director Olivier Venturini Talks About The Fableists’ Film Project

We have an exciting project in the works: Olivier Venturini will be heading up The Fableists’ first film advertising campaign.

Olivier Venturini

Olivier Venturini

Olivier is an established commercial director. He is known for stunning visual work as well as his character development and comedy. He began his career in 1996 in Los Angeles. He then moved his family to London where he has completed work for high profiles clients such as Adidas, Playstation, BBC, Scottish Power, Coca Cola, Cartier, BMW, amongst others.

Olivier is represented by Great Guns.

The Fableists > Welcome to the Fableists’ fold! How did you get involved?
Olivier > Laura Gregory thought of me and I was dreaming for a long time of getting involved on less client-driven projects with more creative opportunities. So I literally jumped on the occasion. The beauty of working with a startup is that everyone is genuinely excited, there is no history or established rules yet and you get to discuss ideas and concepts directly with the key people. No politics, no egos and even if we might have slightly different agendas, we all understand the work needs to be outstanding to be noticed.

Still from Otrivin - 'Castaway 2'

Otrivin – Castaway 2

The Fableists > What is your film making style like?
Olivier > I like film-making that appeals to your intellect as well as your emotions, I am always impressed with the efforts directors make to strip down the story to what really matters, I like unsettling time-jumps, I like realism and I hate anything explanatory. I am totally fascinated by actors capable of conveying emotions without doing much. I dislike loud film-making that calls too much attention. This is what I aspire to and hope I can achieve one day.

The Fableists > What do you think about The Fableists’ mandate for these films?
Olivier > It is brilliant, universal and yet unique. Turning our attention to kids anywhere in the world that have absolutely nothing in common but the fact that they best represent the Fableists’ philosophy is a concept with a great potential and exactly the kind of things I would love to see for a kid’s brand. Regardless to where these kids come from, whether they are poor, rich, going through a tough time or live a happy life, all that matters is that they impress us by how driven, how passionate, how courageous or how talented they are.

Still from Olivier's work

Still from Olivier’s work

The Fableists > How did you get your start as a director?
Olivier > I started as a runner, grew up in production companies and did all sorts of jobs before I got a chance to direct. The first chance I got was to direct a commercial for the Burkina Fasso in Africa. It was supposed to take place in a small remote African village and we ended up shooting people bare-chest in a Fontainebleau sandpit on a grey and cold day of February. A very exciting time of my life indeed.

The Fableists > What type of work are you best known for?
Olivier > I don’t know. [The Fableists: very modest answer!]

Still from MTC - 'Christmas'

MTC – Christmas

The Fableists > Do you have a favorite job that stands out from your whole career to date?
Olivier > Nur Die or William Lawson perhaps.

The Fableists > Tell us a bit about what you have planned for The Fableists’ films?
Olivier > We want to create a series of documentaries directed by Great Guns talents with only a few key elements in common to the platform. The rest is left to the directors’ interpretation. Our guidelines are still in discussion but I suggested that we don’t use voice over or any explanatory device, that we are never judgmental or melodramatic no matter how controversial the subject might be and that we have indeed consistent titles. We also want to keep it fairly short although we haven’t discussed a duration yet. To make it cost efficient, we will try to take advantage of the trips the directors make when on jobs and shoot with lightweight equipment, most probably the 5D. We want to also record sound and use a score. It is all in gestation.

Still from France Telecom - 'Ball'

France Telecom – Ball

The Fableists > How will this appeal to both kids and their parents?
Olivier > If we find the truly fabulous characters we are after, it will hopefully talk to the adults and shall also grab kids’ attention. We certainly don’t want to make this marketing driven and rather reflect what the brand truly is at heart.

The Fableists > Where do you get your inspiration for the work you do?
Olivier > I watch lots of photos and other people’s work. I always listen to lots of different music when I write and that’s mainly where my inspiration comes from: it seems to open my emotional valve. It doesn’t always work though.

Lovable - Zerogram-3

Lovable – Zerogram-3

The Fableists > Do you mostly win work through an advertising agency? Or via the client directly?
Olivier > I am a director, I am open to anything, really.

The Fableists > What do you suppose your kids, or the kids you know, will think of The Fableists?
Olivier > It is hard to say. I have 2 teenagers and a little girl in the Fableists’ age range. They have their own taste and I am curious to see what they will make of all of this.

L'Oreal Elvive - Mexico

L’Oreal Elvive – Mexico